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Tuesday, August 9, 2011

Rise of the Planet of the Apes (2011) - Movie Review

As the title suggests, Rupert Wyatt Rise of the Planet of the Apes is intended to lay the groundwork for a new franchise of science fiction movies where the super-intelligent humans and apes battle for dominance on earth. Your task is to explain in the space of two hours and a minimum of credulity, the precision with our friends apes can eventually replace us in the top of the animal kingdom. The stage was at least partially ConquestIt is by no means a new version. Nor, in this case, somehow related to the disappointment of Tim Burton, 2001 entry. (And thank God for that.)

Licensee growth begins, like many of the disasters in the world, with action taken by a very irresponsible. It Rodman (James Franco) is a genetic scientist of immense talent and questionable ethics, who works in a San Francisco company called luxury biotech Gen-Sys (subtle!). His attempt to produce a cure for Alzheimer's disease causes an ulterior motive: his father (John Lithgow), who suffers from it, and is close to entering its final phase. It is close to a breakthrough when one of their chimpanzee test subjects go, yes, apesh * t, making your business properly insensitive CEO, Steven Jacobs (David Oyelowo, bravely throwing lines are not as "I have a business, a zoo !") to the Research Committee of the population complete installation chimpanzee settlement.

He is busy doing office sad when he discovers that one of the chimpanzees have proved a son, a man is not capable of murder. Instead, he and his girlfriend primatologist, Caroline (Frieda Pinto, beautiful and redundant), partners in terribly wrong decision, decide to increase the baby chimp as their own, giving it the name of Caesar. Having inherited her mother's gene modifications, which shows signs of advanced intelligence, and quickly develops a close bond with their human foster parents. But Caesar soon surpass its natural habitat, and eventually be sent to a monkey "Sanctuary" which is actually the opposite.

Right now we're halfway through the movie - and miles away from the monkeys learned and the people enslaved. For us to track, director Wyatt makes a very bold tonal shifts, sudden changes in what was a relatively sober Project Nim dramatization of the balls-out mono-gone-wild summer action movie trailers of the film promises. Their efforts have helped greatly by his writers, Amanda Silver and Rick Jaffa, which offers intelligent script absorbent enough credibility in the first half to the second half even more crazy is not only acceptable, but downright entertaining. Wyatt issue is a delicate balance, respect for the subject recognizes inherent stupidity. (Scattered throughout the film is clever nods to the previous The Ten Commandments.)

Stupidity is apparently accelerating the weft Increase is as scary as they come.

Andy Serkis, who did all the work that capture performance of Caesar, is wonderful on paper, but the question is how credit should be divided between him and the technicians at Weta Digital, to "paint" the figure has CG. And make no mistake, Cesar is a great

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